🔥 50% OFF + Bonus for the First 50 Producers

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Hand-Played. Tape Pressed. 
Producer-Ready.

This is a collection of original drum breaks, one-shots, fills, and percussion—all tracked through real analog gear and shaped for modern-day use.

The Tape Files were recorded using a full tape-centric signal chain: Tascam 234, Tascam 48, Shure M267, Marantz PMD222, Rexer tape echo, Lafayette Echo Verb, and a Pultec EQ clone. 

These sounds weren’t just passed through analog—they were inspired by it. 

Inside, you’ll find breaks and textures that carry the feel of ‘70s psych, soul, funk, the grit of early hip-hop, and the subtle character that only comes from tape.
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LEARN MORE
The Tape Files Vol.1

600+ DRUMS THAT HIT DIFFERENT

All played, recorded, and processed in a home studio with real humans, real drums.

WHAT'S INSIDE 
THE TAPE FILES?

45 Drum Breaks - (tape + alternate mixes)

140 Drum & Percussion One Shots — kicks, snares, hats, percussion, claps, etc., with 4 or more unique takes each

14 Percussion Breaks - shakers, hand drums, bells, etc.

26 Drum Fills - for transitions & drop-ins

ALL sounds processed through real tape & analog gear.

Hear the Demos & What’s Possible.

drum break - smk 83bpm

drum break - brigade2 dry 65bpm

drum break - mascar 65bpm

drum break - kenny 83 bpm

drum break - tame

snare - splash

snare - lalaina

snare - black impala

some of the gear I used to craft the files...

GIVE ME THE 808 STASH!!!!

Hear from fellow producers!

the44thfloor

GIVE ME THESE TAPE FILES!!!!

Who's behind The Tape Files?

I’m Tahina Rabetsimba — a drummer, producer, and sound designer focused on crafting sounds that feel lived-in and soulful.

Over the years, I’ve been recording drums using real analog gear: reel-to-reel machines, cassette decks, tape echoes, vintage EQs, and more. Not for the aesthetic — but for the feel they bring. Every drum break, one-shot, and chop is shaped by hand with intention.

 

My goal is to give producers and musicians tools that don’t just sound good, but spark ideas. 

Whether you're layering drums or flipping samples, I want these sounds to help you create something real.

Why It’s Different!

This pack wasn’t rushed, dragged through presets, or pushed through clean converters. It was made hands-on—mic’d up, run through tape, EQ’d by ear, and shaped in a real space where every sound passed through something physical. 

The Tape Files is about slowing down the process, about honoring where drums come from. It’s for producers who care about feel as much as function. 

50% OFF + Bonus Sounds for the First 50 Producers

Tape Files + Secret Bonuses — Still Available

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70 Drum Breaks - (tape + alternate mixes)

140 One-Shot Drums — kicks, snares, hats, percussion

with 4 or more unique takes each

20 Percussion Breaks - shakers, hand drums, bells etc.

30 Drum Fills - for transitions & drop-ins

ALL 407 sounds processed through real tape & analog gear

Frequently asked questions

What makes these drums different from other kits?

These breaks were tracked through my analog recording chain — mics, vintage EQs, and multiple tape machines. You’re not getting sterile loops or stock sounds. You’re getting real performances, human feel, alternate mixes, and raw stems, all with that warm, character-rich tone built for sample-based production.

How were these recorded?

Every sound in The Tape Files Vol.1 was tracked live in my home studio using a chain of analog gear and tape-based processing. Here's the signal path:

  • Drums were mic’d with a Shure SM57 on snare and a mono ribbon overhead setup and crotch mic for natural tone.
  • Kick ran through a Klark Teknik EQP-KT (a Pultec-style tube EQ) to add warmth and low-end punch.
  • From there, the signal was recorded into my Tascam 48 reel-to-reel tape machine for natural saturation, compression, and character.
  • After tape, everything was bounced back into my DAW, cleaned up, and organized into ready-to-use breaks, one-shots, and stems.

Are these sounds royalty-free, like everything?

You'll never have to pay anything out of pocket AFTER the purchase and download of a pack. One-shot drum sounds never have any placement royalties attached to them, and I NEVER require a split of beat sales on any platform. The only time royalties are applicable is for:

  1. Major Label Placements,
  2. Large Indie Placements above 1 million streams, or
  3. Large Sync Placements containing one of my drum breaks, fills or melodic loops.

In that event, I'll just need a small amount of publishing on the release and all %'s are negotiable. I'll never  hold your songs hostage or demand money upfront.

High-Quality Sounds

Unmatched clarity and depth.

Unlimited Creativity

Endless possibilities to inspire you.

Vintage Authenticity

Rich, unique tones from vintage gear.

Instant Download 

Immediate lifetime access to your purchase.

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